![]() In 1958–59, she appeared three times on Buckskin, a children's program set in a hotel in a fictitious Montana town. In addition to teaching acting classes in Los Angeles, Freeman was a familiar presence on television. Freeman played Sister Mary Stigmata (referred to as the Penguin) in John Landis' The Blues Brothers (1980) and Blues Brothers 2000, had cameos in Joe Dante's Innerspace and Gremlins 2: The New Batch (as tipsy cooking host Microwave Marge), as a foul-mouthed apartment building manager in Dragnet, and a gangster mother in Naked Gun 33⅓: The Final Insult. Her other film roles included appearances in The Missouri Traveler (1958), the horror film The Fly (1958), the Western spoofs Support Your Local Sheriff! (1969) and Support Your Local Gunfighter (1971), and appearances in a spate of comedies in the 1980s and 1990s. Over 30 years later, she made a brief appearance in Nutty Professor II: The Klumps. These included most of Lewis's better-known comedies, including The Disorderly Orderly as Nurse Higgins, The Errand Boy as the studio boss's wife, and The Nutty Professor as Millie Lemon. ![]() īeginning with the 1954 film 3 Ring Circus, Freeman became a favorite foil of Jerry Lewis's, playing opposite him in 11 films. Her most notable early role was an uncredited part in the 1952 MGM musical Singin' in the Rain as Jean Hagen's diction coach Phoebe Dinsmore. For a short time in the early 1950s, Freeman was a Metro-Goldwyn-Mayer contract player, appearing mostly in small and uncredited bit parts. For instance, she was roughly 24 when she played the 15-year-old daughter of Joan Fontaine and John Lund in DARLING, HOW COULD YOU! (1951), yet the previous year she'd been Alan Ladd's romantic interest in BRANDED (1950).įreeman retired from acting after the mid '60s, excepting one role in the early '70s.įreeman was also an artist, and I was surprised to read in the Los Angeles Times that she was the artist who painted the portrait of Mary See which hangs in See's Candies shops.Cary Grant and Freeman (in uncredited role) as a laundromat gossip in Houseboat (1958) Film įreeman made her film debut in Wild Harvest (1947). In the late '40s and early '50s it wasn't unusual for Freeman to switch back and forth from leading lady to young teen from movie to movie. Freeman's deadpan line deliveries in DEAR RUTH are quite amusing. ![]() In more recent years I've enjoyed Freeman in a variety of her "teenage" roles, particularly as Lois, the older sister of Peggy Ann Garner in JUNIOR MISS (1945), and as the irrepressible Miriam in DEAR RUTH (1947) and the two sequels which followed. I first became familiar with Freeman from one of her teenage roles, as the daughter of Betty Grable and Dan Dailey in MOTHER WORE TIGHTS (1947), and also from her two appearances as Modesty Blaine in the fondly recalled MAVERICK episodes "The Cats of Paradise" and "The Cruise of the Cynthia B."
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